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nly when dressed in magnificent style, his pupils crowded about him and attending to his wants in respectful silence. On the opposite side are those requiring retirement, silence, contemplation, even shadowy darkness, like Lamennais. In this class we find especially scientists and thinkers--Tycho-Brahe, who for twenty-one years scarcely left his observatory; Leibniz, who could remain for three days almost motionless in an armchair. But most methods are too artificial or too strong not to become quickly noxious. Every one knows what they are--abuse of wine, alcoholic liquors, narcotics, tobacco, coffee, etc., prolonged periods of wakefulness, less for increasing the time for work than to cause a state of hyperesthesia and a morbid sensibility (Goncourt). Summing up: The organic bases of the creative imagination, if there are any specially its own, remain to be determined. For in all that has been said we have been concerned only with some conditions of the general working of the mind--assimilation as well as invention. The eccentricities of inventors studied carefully and in a detailed manner would finally, perhaps, be most instructive material, because it would allow us to penetrate into their inmost individuality. Thus, the physiology of the imagination quickly becomes pathology. I shall not dwell on this, having purposely eliminated the morbid side of our subject. It will, however, be necessary to return thereto, touching upon it in another part of this essay. III There remains a problem, so obscure and enigmatic that I scarcely venture to approach it, in the analogy that most languages--the spontaneous expression of a common thought--establish between physiologic and psychic creation. Is it only a superficial likeness, a hasty judgment, a metaphor, or does it rest on some positive basis? Generally, the various manifestations of mental activity have as their precursor an unconscious form from which they arise. The sensitiveness belonging to living substance, known by the names heliotropism, chemotropism, etc., is like a sketch of sensation and of the reactions following it; organic memory is the basis and the obliterated form of conscious memory. Reflexes introduce voluntary activity; appetitions and hidden tendencies are the forerunners of effective psychology. Instinct, on several sides, is like an unconscious and specific trial of reason. Has the creative power of the human mind also analogous anteceden
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