everal sources. Whatever their origin,
they are the work of imaginative minds _par excellence_ (we shall study
them later) who, confronted with any event whatever, must, because of
their nature, construct a romance.
Besides analogy, this imaginative creation has as its principal source
the associational form already described under the name "constellation."
We know that it is based on the fact that, in certain cases, the
arousing of an image-group is the result of a tendency prevailing at a
given instant over several that are possible. This operation has already
been expounded theoretically with individual examples in support.[55]
But in order to gauge its importance, we must see it act in large
masses. Myths allow us to do this. Ordinarily they have been studied in
their historical development according to their geographical
distribution or ethnic character. If we proceed otherwise, if we
consider only their content--i.e., the very few themes upon which the
human imagination has labored, such as celestial phenomena, terrestrial
disturbances, floods, the origin of the universe, of man, etc.--we are
surprised at the wonderful richness of variety. What diversity in the
solar myths, or those of creation, of fire, of water! These variations
are due to multiple causes, which have orientated the imagination now in
one direction, now in another. Let us mention the principal ones: Racial
characteristics--whether the imagination is clear or mobile, poor or
exuberant; the manner of living--totally savage, or on a level of
civilization; the physical environment--external nature cannot be
reflected in the brain of a Hindoo in the same way as in that of a
Scandinavian; and lastly, that assemblage of considerable and unexpected
causes grouped under the term "chance."
The variable combinations of these different factors, with the
predominance of one or the other, explain the multiplicity of the
imaginative conceptions of the world, in contrast to the unity and
simplicity of scientific conceptions.
II
The form of imagination now occupying our attention by reason of its
non-individual, anonymous, collective character, attains a long
development that we may follow in its successive phases of ascent,
climax, and decline. To begin with, is it necessarily inherent in the
human mind? Are there races or groups of men totally devoid of myths?
which is a slightly different question from that usually asked, "Are
there tribes totally d
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