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er large bird, until nearly dry, then dry plaster added from time to time, and the skin twirled about in the open air if possible. Very soon the feathers will cease to remain clogged with plaster, and will come out ready for mounting, nicely dried, fresh, and so beautifully clean as to surprise any person ignorant of the process. Carefully managed, this is one of the most valuable aids to artistic taxidermy, as by its means birds' skins are rendered as limp and supple, and much tougher, than if just removed from the body. In proof of my assertion, I may mention that I have caused skins from ten to fifteen years old, and ranging in size from a cassowary to a humming bird, to be prepared by this method, all of which subsequently mounted up in a first-rate manner. [Footnote: A humming bird, after relaxing by water, is, when drained sufficiently, best treated by plunging in benzoline and then carefully dried in plaster. A night in water, and half-an-hour's treatment with benzoline and plaster, is sufficient for these small creatures.] The points to observe are--first, perfect relaxing; secondly, wiping down thoroughly with benzoline; thirdly, drying the feathers of the skin well, by dusting in plaster and beating and agitating them in a current of air. Should the skin be greasy, covered with fat, or imperfectly freed of flesh (as many of the foreign birds' skins are), it will be necessary to scrape and trim when the specimen comes out of the plaster, before it is finally cleaned. In any case, it is always advisable to turn the skin of the head inside out, stretch the face, scrape the neck, and stuff the head in the ordinary manner before returning the skin. The great advantage in the water process is, that a "Past master" in the method can mount a skin in as artistic and natural a manner as if done from the flesh. Usually, specimens done from the "skin" are at once recognisable by their uneasy and "wooden" appearance, but I defy anyone to pick out the skins in the Leicester Museum--unless by their neater appearance--from those anciently mounted from the flesh. Skins of mammals, if cured by the formula (No. 9) given in Chapter IV, need only to be plunged in water for a night or so to relax them, wrung out, thinned down where required, and mounted straight away; a wet skin being an advantage when modelling mammals, wet cloths even being necessary to cover over certain parts, should the mounting occupy more than a day
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