iled oil
until it forms a smooth, thick putty, which, though at first capable
of much finger-and-thumb manipulation, dries as hard as stone, and is
fairly light and impervious to damp. Plaster will also make a putty if
mixed with glue-water.
The composition used by the picture-frame makers is also a first-rate
medium, being susceptible to the softening influences of hot water
when newly made, but ultimately dries as hard as the preceding. It is
made variously, but perhaps the best is made thus:
Cement for Modelling.
Three parts best glue.
One part linseed oil.
One part powdered resin.
Whiting.
Tallow candle.
Melt the glue with water until it is moderately thin. Boil up the
resin and oil together (be careful of fire). Mix up this with the glue
by thorough stirring and boiling together, turn it all out into a
bucket (unless you are boiling it in one), and add half a tallow
candle. Stir in enough powdered whiting to make a thick putty. Pour
some out on a plate, and let it get cold; you will then be able to
determine whether the mixture requires more or less glue, whiting or
oil. It should dry tough, but not too brittle, and should, when cut
into strips and warmed by hot water or steam, be tough and yet
pliable. Properly made, this cement is invaluable to the taxidermist,
as it works well by the hand or by tools, drying slowly until it sets.
It can be worked over real or modelled bones to show sinews or muscles
as previously mentioned. The tongues of mammals or fishes may be cast
either in plaster, glue, or wax, and subsequently modelled in this
cement, plaster, or wax, as required.
Wax is the last, and, as I have before pointed out, is, whether used
melted or softened by warm water, of the highest service to the
artist. Beeswax, when melted, will mix well with either plaster or
whiting, or with both, and will make a useful modelling composition,
its brittleness being determined by its containing more or less
plaster. Wax will also mix with red ochre, and makes a modelling
composition. Modelling wax is sold, however, ready prepared, and is
useful to pack under the skin for delicate muscles or "flabby" folds
of skin.
Paraffin wax melted, and modelled when half cold, is also sometimes of
service; it has, however, so little affinity for "sticking" as to come
away from almost anything smooth, on the slightest provocation.
White lead stiffened with whiting is sometimes useful in taking the
place of pu
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