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ty with which he realised, and the skill with which he portrayed, the life of the people of England as a whole, and taught his readers that the exploits of kings and the intrigues of ministers, and the struggles of parties in Parliament, are, after all, secondary matters, and important chiefly as they affect the welfare or stimulate the thoughts and feelings of the great mass of undistinguished humanity in whose hands the future of a nation lies. He changed the old-fashioned distribution of our annals according to reigns and dynasties into certain periods, showing that such divisions often obscure the true connection of events, and suggesting new and better conceptions of the periods into which the record of English progress naturally falls. And, lastly, he laid, in his latest books, a firm and enduring foundation for our mediaeval history by that account of the Teutonic occupation of England, of the state of the country as they found it, and the way they conquered and began to organise it, which I have already dwelt on as a signal proof of his constructive faculty. Many readers will be disposed to place him near Macaulay, for though he was less weighty he was more subtle, and not less fascinating. To fewer perhaps will it occur to compare him with Gibbon, yet I am emboldened by the opinion of one of our greatest contemporary historians to venture on the comparison. There are indeed wide differences between the two. Green is as completely a man of the nineteenth century as Gibbon was a man of the eighteenth. Green's style has not the majestic march of Gibbon: it is quick and eager almost to restlessness. Nor is his judgment so uniformly grave and sound. But one may find in his genius what was characteristic of Gibbon's also, the combination of a mastery of multitudinous details, with a large and luminous view of those far-reaching forces and relations which govern the fortunes of peoples and guide the course of empire. This width and comprehensiveness, this power of massing for the purposes of argument the facts which his literary art has just been clothing in its most brilliant hues, is the highest of a historian's gifts, and is the one which seems most surely to establish Green's position among the leading historical minds of his time. ----- [22] This sketch was written in 1883. A volume of Green's Letters, with a short connecting biography by Sir Leslie Stephen, was published in 1901. The lette
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