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t the ship was slowing down. The engines beat more feebly, then ceased to beat. The ship glided on for a moment in silence, and stopped. A cold fear ran over the Princess. She called to a sailor. "Why," she said, "why do we stop? Is anything wrong?" He pointed to some lights on the port side. "We are off Hammam-Lif, madame," he said. "We are going to lie to for half-an-hour to take in cargo." To the Princess that half-hour seemed all eternity. She remained upon deck, and whenever she heard the splash of oars as a boat drew near, or the guttural sound of an Arab voice, she trembled, and, staring into the blackness, fancied that she saw the tall figure, the pointed head, and the deformed eyes of the jewel doctor. But the minutes passed. The cargo was all got on board. The boats drew off. And once again the ship shuddered as the heart of her began to beat, and the ebon water ran backward from her prow. Then the Princess was glad. She laid the hand on which shone Safti's emerald upon the bulwark, and gazed towards the sea, turning her back upon the lights of Hammam-Lif. She thought of safety, of Russia. She did not hear a soft step drawing near upon the deck behind her. She did not see the flash of steel descending to the bulwark on which her hand was laid. But suddenly the horrible cry of a woman in agony rang through the night. It was instantly succeeded by a splash in the water, as a tall figure dived over the vessel's side. When the sun rose on the following day over the minarets of Tunis the _Stella d'ltalia_, with the Princess on board, was far out at sea. The emerald of Safti was once more in the little house in the Rue Ben-Ziad. It was still upon the Princess's finger. End of the Project Gutenberg EBook of The Princess And The Jewel Doctor, by Robert Hichens *** END OF THIS PROJECT GUTENBERG EBOOK THE PRINCESS AND THE JEWEL DOCTOR *** ***** This file should be named 23413.txt or 23413.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/4/1/23413/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special r
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