I wish to avoid the perils which persons
of my age experience. I have never shown a sign of weakness, and I
would not fear of ever showing any, if you permitted me to withdraw
from court, or if I still had, in my efforts to do right, the support
of Mme. de Chartres. However dangerous may be the action I take, I
take it with pleasure, that I may be worthy of your actions, I ask a
thousand pardons; if I have sentiments displeasing to you, I shall
at least never displease you by my actions. Remember, to do what I am
doing, one must have for a husband more friendship and esteem than was
ever before had. Have pity on me and lead me away---and love me still,
if you can."

_La Princesse de Cleves_ is a novel of human virtue purely, and
teaches that true virtue can find its reward in itself and in the
austere enjoyment of duty accomplished. "It is a work that will
endure, and be a comfort as well as a guide to those who aspire to a
high morality which necessitates a difficult sacrifice."

M. d'Haussonville regards the novels of Mmes. de Charriere, de Souza,
de Duras, de Boigne, as mere imitations or as having been inspired by
that masterpiece of Mme. de La Fayette. He says: "In fact, novels in
general, that depict the struggle between passion and duty, with the
victory on the side of virtue, emanate more or less from it."

Taine wrote: "She described the events in the careers of society
women, introducing no special terms of language into her descriptions.
She painted for the sake of painting and did not think of attempting
to surpass her predecessors. She reflects a society whose scrupulous
care was to avoid even the slightest appearance of anything that might
displease or shock. She shows the exquisite tact of a woman--and a
woman of high rank."

Mme. de La Fayette is one of the very rare French writers that have
succeeded in analyzing love, passion, and moral duty, without becoming
monotonous, vulgar, brutal, or excessively realistic. Her creations
contain the most minute analyses of heart and soul emotions, but these
never become purely physiologic and nauseating, as in most novels.
This achievement on her part has been too little imitated, but it,
alone, will preserve the name of Mme. de La Fayette.

Mme. de Motteville is deserving of mention among the important
literary women of the seventeenth century. She is regarded as one
of the best women writers in French literature, and her memoirs are
considered authority o