cakes! It is true they might find prices high
and crops poor; but such things must be.... "This is the use, custom,
and fruits of war. If the impositions and taxes run high, the country
farmer can't help that; you know that the war costs money, and it must
be given, or else we should lose all." Had they learnt that as long
ago as 1682?

As a _genre_ work the book is not unique; rather is it typical. The
gradual social settlement after the Civil War, destined to develop
into stagnation under the first Georges, caused didactic works, guides
to manners, housewifery and sport, society handbooks, to proliferate.
_The Ten Pleasures_ mentions some standard works, which every good
housewife would probably possess--Nicholas Culpepper's medical
handbooks, for instance, and _The Complete Cook_, which indeed, as
part of _The Queen's Closet Opened_, had reappeared in its natal year
1682-1683. The same year saw the birth of such works as _The Complete
Courtier_, _The Complete Compting House_, _The Gentleman Jockey_, _The
Accomplished Ladies' Delight._ Life was being scheduled, tabulated, in
readiness for the complacent century about to open. It was also being
explored, not only in such works as _The Ten Pleasures_ and _The
Woman's Advocate_, but in others (entered as published, but in many
cases not known to be now extant) like _The Wonders of the Female
World_, _The Swaggering Damsel_, or _Several New Curtain Lectures_,
and _Venus in ye smoake, or, the nunn in her smock, in curious
dialogues addressed to the lady abbesse of love's parradice_--all
produced in that same _annus mirabilis_ of outspoken domesticity.

_The Ten Pleasures_, apart from its intrinsic interest, is
exceptionally important from a book-collector's point of view. It is
of the utmost rarity. There is no copy in the British Museum and none
in the Cambridge University Library. In fact, there are only two
copies known of the whole work--one in the Bodleian (wanting one
plate), and that from which the present text is taken. The Huth
Collection had a copy of the first part only. Both the fuller copies
contain the second part--_The Confession_--and evidently the two
parts, though they have separate title pages, and were published at
different times, were intended to form a complete work.

Who wrote the book? "A. Marsh, Typogr. [apher]," says the title page.
A. Marsh cannot be traced, nor is the work included in the Stationers'
Registers for the period. It may be that