for a
man, girls usually manage to circumvent it in a more or less refined
manner. Some girls who are coarse, or have little control of their
feelings, propose bluntly to the men they want. I myself have known
several such cases, but the man always refused. Others have a thousand
subtle ways of betraying themselves without actually "giving
themselves away." A very amusing story of how an ingenious maiden
tries to bring a young man to bay has been told by Anthony Hope.
Dowden calls attention to the fact that it is Juliet "who proposes and
urges on the sudden marriage." Romeo has only spoken of love; it is
she who asks him, if his purpose be marriage, to send her word next
day. In _Troilus and Cressida_ (III., 2), the heroine exclaims:
But, though I loved you well, I woo'd you not;
And yet, good faith, I wished myself a man,
Or that we women had men's privilege
Of speaking first.
In his _Old Virginia_ (II., 127) John Fiske tells a funny story of how
Parson Camm was wooed. A young friend of his, who had been courting
Miss Betsy Hansford of his parish, asked him to assist him with his
eloquence. The parson did so by citing to the girl texts from the
Bible enjoining matrimony as a duty. But she beat him at his own game,
telling him to take his Bible when he got home and look at 2 Sam. xii.
7, which would explain her obduracy. He did so, and found this: "And
Nathan said to David, _thou art the man._" The parson took the
hint--and the girl.
V. HOPE AND DESPAIR--MIXED MOODS
_She never told her love_;
But let concealment, like a worm i' the bud,
Feed on her damask cheek: she pined in thought;
And, with a green and yellow melancholy,
She sat, like Patience on a monument,
_Smiling at grief. Was not this love indeed_?
asks Viola in _As You Like It_. It _was_ love indeed; but only two
phases of it are indicated in the lines quoted--coyness ("She never
told her love") and the mixture of emotions ("smiling at grief"),
which is another characteristic of love. Romantic love is a pendulum
swinging perpetually between hope and despair. A single unkind word or
sign of indifference may make a lover feel the agony of death, while a
smile may raise him from the abyss of despair to heavenly heights of
bliss. As Goethe puts it:
Himmelhoch jauchzend
Zum Tode betruebt,
Gluecklich allein
Ist die Seele die liebt.
AMOROUS ANTITHESES
When
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