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n getting to work. All Australia was ready for them, in fact, and nowhere in their own country were they more lavishly and royally received than in that faraway Pacific continent. Crowded houses, ovations, and gorgeous entertainment--public and private--were the fashion, and a little more than two weeks after arrival Clemens was able to send back another two thousand dollars to apply on his debts. But he had hard luck, too, for another carbuncle developed at Melbourne and kept him laid up for nearly a week. When he was able to go before an audience again he said: "The doctor says I am on the verge of being a sick man. Well, that may be true enough while I am lying abed all day trying to persuade his cantankerous, rebellious medicines to agree with each other; but when I come out at night and get a welcome like this I feel as young and healthy as anybody, and as to being on the verge of being a sick man I don't take any stock in that. I have been on the verge of being an angel all my life, but it's never happened yet." In his book Clemens has told us his joy in Australia, his interest in the perishing native tribes, in the wonderfully governed cities, in the gold-mines, and in the advanced industries. The climate he thought superb; "a darling climate," he says in a note-book entry. Perhaps one ought to give a little idea of the character of his entertainment. His readings were mainly from his earlier books, 'Roughing It' and 'Innocents Abroad'. The story of the dead man which, as a boy, he had discovered in his father's office was one that he often told, and the "Mexican Plug" and his "Meeting with Artemus Ward" and the story of Jim Blaine's old ram; now and again he gave chapters from 'Huck Finn' and 'Tom Sawyer'. He was likely to finish with that old fireside tale of his early childhood, the "Golden Arm." But he sometimes told the watermelon story, written for Mrs. Rogers, or gave extracts from Adam's Diary, varying his program a good deal as he went along, and changing it entirely where he appeared twice in one city. Mrs. Clemens and Clara, as often as they had heard him, generally went when the hour of entertainment came: They enjoyed seeing his triumph with the different audiences, watching the effect of his subtle art. One story, the "Golden Arm," had in it a pause, an effective, delicate pause which must be timed to the fraction of a second in order to realize its full value. Somewhere before we have stat
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