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The Project Gutenberg EBook of Pagan & Christian Creeds, by Edward Carpenter This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Pagan & Christian Creeds Their Origin and Meaning Author: Edward Carpenter Posting Date: August 26, 2008 [EBook #1561] Release Date: December, 1998 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK PAGAN & CHRISTIAN CREEDS *** Produced by Charles Keller PAGAN & CHRISTIAN CREEDS: THEIR ORIGIN AND MEANING By Edward Carpenter "The different religions being lame attempts to represent under various guises this one root-fact of the central universal life, men have at all times clung to the religious creeds and rituals and ceremonials as symbolising in some rude way the redemption and fulfilment of their own most intimate natures--and this whether consciously understanding the interpretations, or whether (as most often) only doing so in an unconscious or quite subconscious way." The Drama of Love and Death, p. 96. CONTENTS I. INTRODUCTORY II. SOLAR MYTHS AND CHRISTIAN FESTIVALS III. THE SYMBOLISM OF THE ZODIAC IV. TOTEM-SACRAMENTS AND EUCHARISTS V. FOOD AND VEGETATION MAGIC VI. MAGICIANS, KINGS AND GODS VII. RITES OF EXPIATION AND REDEMPTION VIII. PAGAN INITIATIONS AND THE SECOND BIRTH IX. MYTH OF THE GOLDEN AGE X. THE SAVIOUR-GOD AND THE VIRGIN-MOTHER XI. RITUAL DANCING XII. THE SEX-TABOO XIII. THE GENESIS OF CHRISTIANITY XV. THE MEANING OF IT ALL XV. THE ANCIENT MYSTERIES XVI. THE EXODUS OF CHRISTIANITY XVII. CONCLUSION APPENDIX ON THE TEACHINGS OF THE UPANISHADS: I. REST II. THE NATURE OF THE SELF PAGAN AND CHRISTIAN CREEDS: THEIR ORIGIN AND MEANING I. INTRODUCTORY The subject of Religious Origins is a fascinating one, as the great multitude of books upon it, published in late years, tends to show. Indeed the great difficulty to-day in dealing with the subject, lies in the very mass of the material to hand--and that not only on account of the labor involved in sorting the material, but because the abundance itself of facts opens up te
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