and partly on account of the light which the festival
generally, whether Christian or Pagan, throws on the origins of
Religious Magic--a subject I shall have to deal with in the next
chapter.
(1) See Robertson's Christianity and Mythology, Part II, pp.
129-302; also Doane's Bible Myths, ch. xxviii, p. 278.
I have already (Ch. II) mentioned the Eucharistic rite held in
commemoration of Mithra, and the indignant ascription of this by Justin
Martyr to the wiles of the Devil. Justin Martyr clearly had no doubt
about the resemblance of the Mithraic to the Christian ceremony. A
Sacramental meal, as mentioned a few pages back, seems to have been held
by the worshipers of Attis (1) in commemoration of their god; and
the 'mysteries' of the Pagan cults generally appear to have included
rites--sometimes half-savage, sometimes more aesthetic--in which a
dismembered animal was eaten, or bread and wine (the spirits of the Corn
and the Vine) were consumed, as representing the body of the god whom
his devotees desired to honor. But the best example of this practice is
afforded by the rites of Dionysus, to which I will devote a few lines.
Dionysus, like other Sun or Nature deities, was born of a Virgin (Semele
or Demeter) untainted by any earthly husband; and born on the 25th.
December. He was nurtured in a Cave, and even at that early age was
identified with the Ram or Lamb, into whose form he was for the time
being changed. At times also he was worshiped in the form of a Bull.
(2) He travelled far and wide; and brought the great gift of wine to
mankind. (3) He was called Liberator, and Saviour. His grave "was shown
at Delphi in the inmost shrine of the temple of Apollo. Secret offerings
were brought thither, while the women who were celebrating the feast
woke up the new-born god.... Festivals of this kind in celebration of
the extinction and resurrection of the deity were held (by women and
girls only) amid the mountains at night, every third year, about the
time of the shortest day. The rites, intended to express the excess of
grief and joy at the death and reappearance of the god, were wild even
to savagery, and the women who performed them were hence known by
the expressive names of Bacchae, Maenads, and Thyiades. They wandered
through woods and mountains, their flying locks crowned with ivy or
snakes, brandishing wands and torches, to the hollow sounds of the drum,
or the shrill notes of the flute, with wild dances and insan
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