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the matter and manner have both been discussed.
I think so too, he said.
Next in order will follow melody and song.
That is obvious.
Every one can see already what we ought to say about them, if we are to
be consistent with ourselves.
I fear, said Glaucon, laughing, that the word 'every one' hardly
includes me, for I cannot at the moment say what they should be; though
I may guess.
At any rate you can tell that a song or ode has three parts--the words,
the melody, and the rhythm; that degree of knowledge I may presuppose?
Yes, he said; so much as that you may.
And as for the words, there will surely be no difference between words
which are and which are not set to music; both will conform to the same
laws, and these have been already determined by us?
Yes.
And the melody and rhythm will depend upon the words?
Certainly.
We were saying, when we spoke of the subject-matter, that we had no need
of lamentation and strains of sorrow?
True.
And which are the harmonies expressive of sorrow? You are musical, and
can tell me.
The harmonies which you mean are the mixed or tenor Lydian, and the
full-toned or bass Lydian, and such like.
These then, I said, must be banished; even to women who have a character
to maintain they are of no use, and much less to men.
Certainly.
In the next place, drunkenness and softness and indolence are utterly
unbecoming the character of our guardians.
Utterly unbecoming.
And which are the soft or drinking harmonies?
The Ionian, he replied, and the Lydian; they are termed 'relaxed.'
Well, and are these of any military use?
Quite the reverse, he replied; and if so the Dorian and the Phrygian are
the only ones which you have left.
I answered: Of the harmonies I know nothing, but I want to have one
warlike, to sound the note or accent which a brave man utters in the
hour of danger and stern resolve, or when his cause is failing, and he
is going to wounds or death or is overtaken by some other evil, and
at every such crisis meets the blows of fortune with firm step and a
determination to endure; and another to be used by him in times of peace
and freedom of action, when there is no pressure of necessity, and he is
seeking to persuade God by prayer, or man by instruction and admonition,
or on the other hand, when he is expressing his willingness to yield to
persuasion or entreaty or admonition, and which represents him when
by prudent conduct he h
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