m your lips
Such words are full of sweetness.

MICHAEL ANGELO.
You have caught
These golden hues from your Venetian sunsets.

TITIAN.
Possibly.

MICHAEL ANGELO.
Or from sunshine through a shower
On the lagoons, or the broad Adriatic.
Nature reveals herself in all our arts.
The pavements and the palaces of cities
Hint at the nature of the neighboring hills.
Red lavas from the Euganean quarries
Of Padua pave your streets; your palaces
Are the white stones of Istria, and gleam
Reflected in your waters and your pictures.
And thus the works of every artist show
Something of his surroundings and his habits.
The uttermost that can be reached by color
Is here accomplished. Warmth and light and softness
Mingle together. Never yet was flesh
Painted by hand of artist, dead or living,
With such divine perfection.

TITIAN.
I am grateful
For so much praise from you, who are a master;
While mostly those who praise and those who blame
Know nothing of the matter, so that mainly
Their censure sounds like praise, their praise like censure.

MICHAEL ANGELO.
Wonderful! wonderful! The charm of color
Fascinates me the more that in myself
The gift is wanting. I am not a painter.

GIORGIO.
Messer Michele, all the arts are yours,
Not one alone; and therefore I may venture
To put a question to you.

MICHAEL ANGELO.
Well, speak on.

GIORGIO.
Two nephews of the Cardinal Farnese
Have made me umpire in dispute between them
Which is the greater of the sister arts,
Painting or sculpture. Solve for me the doubt.

MICHAEL ANGELO.
Sculpture and painting have a common goal,
And whosoever would attain to it,
Whichever path he take, will find that goal
Equally hard to reach.

GIORGIO.
No doubt, no doubt;
But you evade the question.

MICHAEL ANGELO.
When I stand
In presence of this picture, I concede
That painting has attained its uttermost;
But in the presence of my sculptured figures
I feel that my conception soars beyond
All limit I have reached.

GIORGIO.
You still evade me.

MICHAEL ANGELO.
Giorgio Vasari, I have often said
That I account that painting as the best
Which most resembles sculpture. Here before us
We have the proof. Behold those rounded limbs!
How from the canvas they detach themselves,
Till they deceive the eye, and one would say,
It is a statue with a s