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Were it a cross That had been laid upon me, I could bear it, Or fall with it. It is a crucifix; I am nailed hand and foot, and I am dying! MICHAEL ANGELO. What would you see in Rome? MONK. His Holiness. MICHAEL ANGELO. Him that was once the Cardinal Caraffa? You would but see a man of fourscore years, With sunken eyes, burning like carbuncles, Who sits at table with his friends for hours, Cursing the Spaniards as a race of Jews And miscreant Moors. And with what soldiery Think you he now defends the Eternal City? MONK. With legions of bright angels. MICHAEL ANGELO. So he calls them; And yet in fact these bright angelic legions Are only German Lutherans. MONK, crossing himself. Heaven protect us? MICHAEL ANGELO. What further would you see? MONK. The Cardinals, Going in their gilt coaches to High Mass. MICHAEL ANGELO. Men do not go to Paradise in coaches. MONK. The catacombs, the convents, and the churches; The ceremonies of the Holy Week In all their pomp, or, at the Epiphany, The Feast of the Santissima Bambino At Ara Coeli. But I shall not see them. MICHAEL ANGELO. These pompous ceremonies of the Church Are but an empty show to him who knows The actors in them. Stay here in your convent, For he who goes to Rome may see too much. What would you further? MONK. I would see the painting of the Last Judgment in the Sistine Chapel. MICHAEL ANGELO. The smoke of incense and of altar candles Has blackened it already. MONK. Woe is me! Then I would hear Allegri's Miserere, Sung by the Papal choir. MICHAEL ANGELO. A dismal dirge! I am an old, old man, and I have lived In Rome for thirty years and more, and know The jarring of the wheels of that great world, Its jealousies, its discords, and its strife. Therefore I say to you, remain content Here in your convent, here among your woods, Where only there is peace. Go not to Rome. There was of old a monk of Wittenberg Who went to Rome; you may have heard of him; His name was Luther; and you know what followed. [The convent bell rings. MONK, rising. It is the convent bell; it rings for vespers. Let us go in; we both will pray for peace. VIII THE DEAD CHRIST. MICHAEL ANGELO'S studio. MICHAEL ANGELO, with a light, working upon the Dead Christ. M
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