service to the drama and to an eminent university. Never before has the
atmosphere of Harvard been caught for the stage. The first act of "Pals"
takes place at Harvard, and presents a haunting picture of college life.
From it we learn that the following are characteristic features of life
in the great center of learning at Cambridge:
Solar Plexus for College Etiquette.
The 'varsity football captain and the champion hammer-thrower, who are
described as the most popular men in college, and so rich that they can't
count it, live in a boarding-house, in which the landlady's daughter dusts
off the champagne bottles which they keep on the sideboard and is sought
as wife by the star boarders.
When the "lady friends" of the inmates come to visit the rooms they go in
to dinner arm in arm with the landlady's daughter.
After the 'varsity game with Yale, in which Harvard has scored a great
victory, the 'varsity football captain comes back to the boarding-house
for dinner, remarking mildly that he is tired, and, after dusting off the
sleeves of his jersey, goes in to dinner with the ladies in his football
suit.
The freshmen sports wear silk hats and sack suits to the annual
Yale-Harvard game.
These shadowings of dear old college scenes brought tears to the eyes of
the many Harvard alumni who made part of the brilliant first night
assemblage.
Jeffries's Dramatic Recitals.
For weeks Jersey City had looked forward with a pleasurable thrill to the
appearance of that eminent artist, J. John Jeffries, in his series of
dramatic recitals. The pleasure had not been without a tinge of jealous
triumph totally unbefitting the social season; for Jersey City, that
modest home of the arts, was the first community on the Atlantic coast to
extend to Mr. Jeffries in "Davy Crockett" the welcome which must have been
as new wine to the true artist he is.
To what end will not managers go in their sordid and squalid zeal for
advertising? Evidences of this tendency flamed on every hoarding in Jersey
City; flaunted themselves on every fence. For the managers and press
representatives had been attempting to create a false and fatuous interest
in this eminent artist by advertising him as champion pugilist of the
world.
What does it matter to their art that Forbes Robertson loves canaries,
that Edwin Booth was fond of waffles? What does it matter how Mr. Jeffries
amuses himself in his leisure hours? Yet in the large and fashionable
a
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