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lls; while you want one of twenty to live in a cloister, or like a wet-nurse, always bathing her child." In the absence of her bogy, Mme. de Stael, who said she loved the gutters of Paris better than the mountain streams of Switzerland, reappeared in the suburbs of that city. When Napoleon heard of it he grew furious, and gave orders to seize her as an intriguer, and to send her back to Geneva, by force if necessary. It was done, but an awful presentiment took possession of the Emperor that she had appeared like a crow foreboding a coming tempest. As if to compensate France for the loss of the exile's literary powers and those of her friends, many means were devised and tried for the encouragement of an imperial literature. In his assumed and noisy contempt for ideals, Napoleon displayed his fear of them: the Academy was ordered to occupy itself with literary criticism; when in public assemblies mention was made of Mirabeau or other Revolutionary heroes, the speaker was to be admonished that he should confine himself to their style and leave their politics alone; the schools were ordered to train the children in geography and in history, but the instruction must be confined to facts, and not be philosophical or religious. Napoleon's worst qualities and his growing weaknesses were made manifest this winter in two exhibitions of self-indulgence most far-reaching in their results. The first bad symptom was his notorious license, which brought from the Empress expressions of the bitterest reproach. Growing old at forty-three, not forty, as Napoleon gallantly but untruthfully wrote to Louis, the aging Creole dismissed from memory the sins of her own youth and middle age, while in jealous fury she charged her husband not only with his adulteries, but with crimes the mere name of which sullies the ordinary records of human wickedness and folly. She would have followed the Emperor to Poland, but his repeated dissuasions, although honeyed, were virtual prohibitions, and she dared not. His unfriendly annalist, Mme. de Remusat, says he retorted to all Josephine's charges that he needed but one reply, the persistent I: "I am different from every one else, and accept the limitations of no other." Her continuous weeping, he wrote to his consort, showed neither character nor courage. "I don't like cowards; an empress should have pluck." The second sign of weakness was the growing neglect of detail in his work. Life has always been t
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