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on optics, he clinched the argument and established his discovery. White light was not simple but compound. It could be sorted out by a prism into an infinite number of constituent parts which were differently refracted, and the most striking of which Newton named violet, indigo, blue, green, yellow, orange, and red. [Illustration: FIG. 64.--A single constituent of white light, obtained by the use of perforated screens is capable of no more dispersion.] At once the true nature of colour became manifest. Colour resided not in the coloured object as had till now been thought, but in the light which illuminated it. Red glass for instance adds nothing to sunlight. The light does not get dyed red by passing through the glass; all that the red glass does is to stop and absorb a large part of the sunlight; it is opaque to the larger portion, but it is transparent to that particular portion which affects our eyes with the sensation of red. The prism acts like a sieve sorting out the different kinds of light. Coloured media act like filters, stopping certain kinds but allowing the rest to go through. Leonardo's and all the ancient doctrines of colour had been singularly wrong; colour is not in the object but in the light. Goethe, in his _Farbenlehre_, endeavoured to controvert Newton, and to reinstate something more like the old views; but his failure was complete. Refraction analysed out the various constituents of white light and displayed them in the form of a series of overlapping images of the aperture, each of a different colour; this series of images we call a spectrum, and the operation we now call spectrum analysis. The reason of the defect of lenses was now plain: it was not so much a defect of the lens as a defect of light. A lens acts by refraction and brings rays to a focus. If light be simple it acts well, but if ordinary white light fall upon a lens, its different constituents have different foci; every bright object is fringed with colour, and nothing like a clear image can be obtained. [Illustration: FIG. 65.--Showing the boundary rays of a parallel beam passing through a lens.] A parallel beam passing through a lens becomes conical; but instead of a single cone it is a sheaf or nest of cones, all having the edge of the lens as base, but each having a different vertex. The violet cone is innermost, near the lens, the red cone outermost, while the others lie between. Beyond the crossing point or focus
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