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lready enthusiastic for antiquity. Thus, in the third century, if we may believe the Scotch and Irish traditions, there existed in Scotland a great chieftain named Fion na Gael--modernized into Fingal--who fought with Cuthullin and the Irish warriors, and whose exploits were, as late as the time of which we have been speaking, the theme of rude ballads among the highlands and islands of Scotland. To find and translate these ballads was charming and legitimate work for the antiquarian; to counterfeit them, and call them by the name of a bard of that period, was the great temptation to the literary forger. Of such a bard, too, there was a tradition. As brave as were the deeds of Fingal, their fame was not so great as that of his son Ossian, who struck a lofty harp as he recounted his father's glory. Could the real poems be found, they would verify the lines: From the barred visor of antiquity Reflected shines the eternal light of Truth As from a mirror. And if they could not be found, they might be counterfeited. This was undertaken by Doctor James Macpherson. Catering to the spirit of the age, he reproduced the songs of Ossian and the lofty deeds of Fingal. Again, we have referred, in an early part of this work, to the almost barren expanse in the highway of English literature from the death of Chaucer to the middle of the sixteenth century; this barrenness was due, as we saw, to the turbulence of those years--civil war, misgovernment, a time of bloody action rather than peaceful authorship. Here, too, was a great temptation for some gifted but oblique mind to supply a partial literature for that bare period; a literature which, entirely fabricated, should yet bear all the characteristics of the history, language, customs, manners, and religion of that time. This attempt was made by Thomas Chatterton, an obscure, ill-educated lad, without means or friends, but who had a master-mind, and would have accomplished some great feat in letters, had he not died, while still very young, by his own hand. Let us examine these frauds in succession: we shall find them of double historic value, as literary efforts in one age designed to represent the literature of a former age. JAMES MACPHERSON.--James Macpherson was born at Ruthven, a village in Inverness-shire, in 1738. Being intended for the ministry, he received a good preliminary education, and became early interested in the ancient Gaelic ballads and
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