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The Project Gutenberg EBook of Punch, Or The London Charivari, Volume 102, April 2, 1892, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Punch, Or The London Charivari, Volume 102, April 2, 1892 Author: Various Release Date: December 20, 2004 [EBook #14390] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** Produced by Malcolm Farmer, William Flis, and the PG Online Distributed Proofreading Team PUNCH, OR THE LONDON CHARIVARI. VOL. 102. April 2, 1892. "'TIS MERRY IN HALL." [Illustration: "Knock'd 'em!"] "What's in an 'at without an 'ed?" DISTAFFINA DE COCKAIGNE was wont to inquire, and "what's an 'all" (of Music like the London Pavilion) "without a NED" in the shape of Mr. EDWARD SWANBOROUGH, the all-knowing yet ever-green Acting Manager at this place of entertainment, who possessing the secret of perpetual youth in all the glory of ever-resplendent hat and ever-dazzling shirt-front, ushers us into the Stalls in time to hear the best part of an excellent all-round show. It is sad to think that, probably as we were disputing with the cabman, the celebrated Miss BOOM-TE-RE-SA, alias LOTTIE COLLINS, Serio-Comic and Dancer, was "booming" and "teraying" before the eyes of a delighted audience. Strange that we should not yet have heard the great original. But as she is not (so to adapt a line from the "_Last Rose of Summer_") "left booming alone," we have not escaped hearing several of her male and female imitators who, by her kind permission and that of her publishers, trade on her present exceptional success. However, when we entered the Stalls, Miss BOOM-TE-RE-SA had disappeared, and somebody with a song had "intervened"--a mode of proceeding not necessarily limited to the Queen's Proctor--before the object of our visit walked on to the stage, and when he did come a pretty object he was too, seeing that it was Mr. ALBERT CHEVALIER, the unequalled and inimitable Comedian of the Costermongers. He is a thorough artist in this particular line, and no indifferent one in others; but his Coster ballads are artistically first rate. The fashion of calling English singers by Italian names is on the wane, ot
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