g is easy to be parryed, by reason of the natural Tendency to
follow the Sword, which is done by raising and bringing your Fort
nearer. These following have commonly more Success.
The first is made after having bound the Sword, instead of pushing
_Seconde_ within, you must, upon the Parade, disengage and push _Tierce_
over: If the Adversary is quick enough in his Parade to shun this double
Motion, you must have recourse to the third, binding the Sword in the
like Manner, and feinting above, return below.
Tho' the Sword is seldom bound on the Outside, upon some Occasions and
to some People it would not be amiss; it must be done with your Feeble
to the Enemy's, with the Precautions necessary in binding within, by a
little Circle without, the Hand in _Quarte_, and if he does not stir, or
if he disengages, you must push without, the Hand in _Quarte_. These
following are according to the Parade with the Fort or with the Feeble,
pushing _Seconde_ under, or _Quarte_ within.
As in all Thrusts the Hand must be easy and uniform, it must be more so
in this than in the others, because the Binding cannot be made without a
very close and smooth Motion.
Though several Masters teach to disengage in order to bind the Sword, I
would not have it done so for two Reasons: First, because the
disengaging gives Time to the Opponent, not only to thrust strait, but
also to disengage; and Secondly, because you cannot so easily bind the
Sword as when you are on the same Side.
In binding the Blade, you must close the Measure; because a Man who is
superior to you, in Height, by the Length of his Sword, or by his
Situation, won't let his Inferior into Measure; in one or the other
Case, being at a proper Distance, you bind more easily on the Feeble.
[Illustration: 12th Plate. Attack in the high Guard.]
[Illustration: Attack in the low Guard.]
_To attack the high Guard._
In this Guard, you must place yourself under, with the Hand in
_Seconde_, covering the upper Part, in order to oblige the Enemy to go
under; which being the most distant Place from his Sword, procures you
more Time to avoid him. He may, on this Occasion, do three things: Let
you engage him, go under, or force your Sword.
If he lets you engage him, 'tis either with a Design to parry, or to
take the Time; wherefore, before you push, you must make a Half-thrust
under: If he parrys, it will be in one of the three Ways that I have
shewn in the Parade of _Seconde_, Cha
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