n
the printed writings of mankind. Homer, Dante, Milton, and Shakespeare
are the lineal descendants of the man who made holes in a leaf, or lines
on a wave-washed sand. Out of the finger-counting have grown up
book-keeping, geometry, mathematical astronomy and a knowledge of the
higher curves. Out of the prehistoric shrugs and sounds and grimaces we
have oral speech--much of it worthless, and not all of it yet wholly
intelligible. We are still continually being understood to say what we
never meant to say: we are forever putting our private interpretation on
the words of other men. Even yet, we are all too stupid. In our
dreariest moments does there not come to us sometimes a voice which
cries: Up, awake! Cease blinking, and begin to see!

Language is electric. Words have a curious power within themselves. They
rain upon the heart with the soft memories of centuries of old
associations, or thoughts of love, vigils, and patience. They have a
power of suggestion which goes beyond all that we may dream. Just as a
man shows in himself traces of a long-dead ancestry, so words have the
power to revive emotions of past generations and the experiences of
former years. The man of letters, the Thinker, strews a handful of
words into the air, breathes a little song. The words spring up and
bring forth fruit. Their seed is human progress and a larger life for
men. Think, for instance, who first flung the word _freedom_ into
space!--_gravitation, evolution, atom, soul!_ There is no power like the
power of a word: a word like _liberty_ can dethrone kings.

We get out of a word just what we put into it, plus the individuality of
the man who uses it. Some men read into noble words only their own
silliness, vulgarity, prejudice, or preconceived ideas. Another man
reads with his heart open for new impressions, new insight, new fancies
and ideals.

Words have not only their inherent meaning; they have their allied
meanings. A word may mean one thing by itself. It may mean quite another
thing when another word stands beside it; even marks of punctuation give
words a curiously different sound and shade. Literature is a mastery,
not only of the moods of men, but of the moods of words. Corot takes a
stream, some grass and trees, a flitting patch of sky. By means of a few
strokes of his brush, he manages to present that tree, sky, stream, in a
way which suggests the pastoral experience of the ages. Where did that
misty veil come from? the t