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a spectacle of much magnificence. Backed by the large paintings on the walls are double rows on each side of brightly dressed ladies, the pick of Imperial society, to the number of four thousand, one thousand in each row; and behind these standing up are two rows on each side of men of privilege and fashion. Officers of the Imperial Guard are dotted about as marshals. Temporary barriers form a wide passage up the midst, leading to the Salon-Carre, which is seen through the opening to be fitted up as a chapel, with a gorgeous altar, tall candles, and cross. In front of the altar is a platform with a canopy over it. On the platform are two gilt chairs and a prie-dieu. The expectant assembly does not continuously remain in the seats, but promenades and talks, the voices at times rising to a din amid the strains of the orchestra, conducted by the EMPEROR'S Director of Music. Refreshments in profusion are handed round, and the extemporized cathedral resolves itself into a gigantic cafe of persons of distinction under the Empire.] SPIRIT SINISTER All day have they been waiting for their galanty-show, and now the hour of performance is on the strike. It may be seasonable to muse on the sixteenth Louis and the bride's great-aunt, as the nearing procession is, I see, appositely crossing the track of the tumbril which was the last coach of that respected lady.... It is now passing over the site of the scaffold on which she lost her head. ... Now it will soon be here. [Suddenly the heralds enter the Gallery at the end towards the Tuileries, the spectators ranging themselves in their places. In a moment the wedding procession of the EMPEROR and EMPRESS becomes visible. The civil marriage having already been performed, Napoleon and Marie Louise advance together along the vacant pathway towards the Salon-Carre, followed by the long suite of illustrious personages, and acclamations burst from all parts of the Grand Gallery. SPIRIT OF THE PITIES Whose are those forms that pair in pompous train Behind the hand-in-hand half-wedded ones, With faces speaking sense of an adventure Which may close well, or not so? RECORDING ANGEL [reciting] First there walks The Emperor's brother Louis, Holland's King; Then Jerome of Westphalia with
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