a spectacle
of much magnificence. Backed by the large paintings on the walls
are double rows on each side of brightly dressed ladies, the pick
of Imperial society, to the number of four thousand, one thousand
in each row; and behind these standing up are two rows on each side
of men of privilege and fashion. Officers of the Imperial Guard
are dotted about as marshals.
Temporary barriers form a wide passage up the midst, leading to the
Salon-Carre, which is seen through the opening to be fitted up as
a chapel, with a gorgeous altar, tall candles, and cross. In front
of the altar is a platform with a canopy over it. On the platform
are two gilt chairs and a prie-dieu.
The expectant assembly does not continuously remain in the seats,
but promenades and talks, the voices at times rising to a din amid
the strains of the orchestra, conducted by the EMPEROR'S Director
of Music. Refreshments in profusion are handed round, and the
extemporized cathedral resolves itself into a gigantic cafe of
persons of distinction under the Empire.]
SPIRIT SINISTER
All day have they been waiting for their galanty-show, and now the
hour of performance is on the strike. It may be seasonable to muse
on the sixteenth Louis and the bride's great-aunt, as the nearing
procession is, I see, appositely crossing the track of the tumbril
which was the last coach of that respected lady.... It is now
passing over the site of the scaffold on which she lost her head.
... Now it will soon be here.
[Suddenly the heralds enter the Gallery at the end towards the
Tuileries, the spectators ranging themselves in their places.
In a moment the wedding procession of the EMPEROR and EMPRESS
becomes visible. The civil marriage having already been performed,
Napoleon and Marie Louise advance together along the vacant pathway
towards the Salon-Carre, followed by the long suite of illustrious
personages, and acclamations burst from all parts of the Grand
Gallery.
SPIRIT OF THE PITIES
Whose are those forms that pair in pompous train
Behind the hand-in-hand half-wedded ones,
With faces speaking sense of an adventure
Which may close well, or not so?
RECORDING ANGEL [reciting]
First there walks
The Emperor's brother Louis, Holland's King;
Then Jerome of Westphalia with
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