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The Project Gutenberg EBook of The Dynasts, by Thomas Hardy This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Dynasts An Epic-Drama Of The War With Napoleon, In Three Parts, Nineteen Acts, And One Hundred And Thirty Scenes Author: Thomas Hardy Release Date: May, 2003 [Etext #4043] Posting Date: December 10, 2009 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE DYNASTS *** Produced by Douglas Levy THE DYNASTS By Thomas Hardy AN EPIC-DRAMA OF THE WAR WITH NAPOLEON, IN THREE PARTS, NINETEEN ACTS, AND ONE HUNDRED AND THIRTY SCENES The Time covered by the Action being about ten Years "And I heard sounds of insult, shame, and wrong, And trumpets blown for wars." PREFACE The Spectacle here presented in the likeness of a Drama is concerned with the Great Historical Calamity, or Clash of Peoples, artificially brought about some hundred years ago. The choice of such a subject was mainly due to three accidents of locality. It chanced that the writer was familiar with a part of England that lay within hail of the watering-place in which King George the Third had his favourite summer residence during the war with the first Napoleon, and where he was visited by ministers and others who bore the weight of English affairs on their more or less competent shoulders at that stressful time. Secondly, this district, being also near the coast which had echoed with rumours of invasion in their intensest form while the descent threatened, was formerly animated by memories and traditions of the desperate military preparations for that contingency. Thirdly, the same countryside happened to include the village which was the birthplace of Nelson's flag-captain at Trafalgar. When, as the first published result of these accidents, _The Trumpet Major_ was printed, more than twenty years ago, I found myself in the tantalizing position of having touched the fringe of a vast international tragedy without being able, through limits of plan, knowledge, and opportunity, to enter further into its events; a restriction that prevailed for many years. But the slight regard paid to English influe
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