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ghly, and still more highly the kindly feelings which prompt you, but you must allow me to follow my own opinion in this case." I went to my counsel and told him of the fresh proposal that Possano had made, and of my refusal to listen to it, begging him to take measures for the arrest of the villain who had vowed my death. The same evening I had Madame Pernon and M. Bono, who was her lover, to sup with me; and as the latter had a good knowledge of Italian Marcoline was able to take part in the merriment of the company. The next day Bono wrote to tell me that Possano had left Lyons never to return, and that he had signed a full and satisfactory retraction. I was not surprised to hear of his flight, but the other circumstance I could not understand. I therefore hastened to call on Bono, who showed me the document, which was certainly plain enough. "Will that do?" said he. "So well that I forgive him, but I wonder he did not insist on the hundred Louis." "My dear sir, I gave him the money with pleasure, to prevent a scandalous affair which would have done us all harm in becoming public. If I had told you nothing, you couldn't have taken any steps in the matter, and I felt myself obliged to repair the mischief I had done in this way. You would have known nothing about it, if you had said that you were not satisfied. I am only too glad to have been enabled to skew my friendship by this trifling service. We will say no more about it." "Very good," said I, embracing him, "we will say no more, but please to receive the assurance of my gratitude." I confess I felt much relieved at being freed from this troublesome business. End of the Project Gutenberg EBook of In London And Moscow: South Of France by Jacques Casanova de Seingalt *** END OF THIS PROJECT GUTENBERG EBOOK SOUTH OF FRANCE *** ***** This file should be named 2971.txt or 2971.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/2/9/7/2971/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, appl
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