ut, whose very simplicity was the origin
of a grandeur not apparent in erections where more ornament has been
attempted. The dusky, filmed, chestnut roof, braced and tied in
by huge collars, curves, and diagonals, was far nobler in design,
because more wealthy in material, than nine-tenths of those in our
modern churches. Along each side wall was a range of striding
buttresses, throwing deep shadows on the spaces between them, which
were perforated by lancet openings, combining in their proportions
the precise requirements both of beauty and ventilation.

One could say about this barn, what could hardly be said of either
the church or the castle, akin to it in age and style, that the
purpose which had dictated its original erection was the same with
that to which it was still applied. Unlike and superior to either
of those two typical remnants of mediaevalism, the old barn embodied
practices which had suffered no mutilation at the hands of time.
Here at least the spirit of the ancient builders was at one with
the spirit of the modern beholder. Standing before this abraded
pile, the eye regarded its present usage, the mind dwelt upon its
past history, with a satisfied sense of functional continuity
throughout--a feeling almost of gratitude, and quite of pride, at the
permanence of the idea which had heaped it up. The fact that four
centuries had neither proved it to be founded on a mistake, inspired
any hatred of its purpose, nor given rise to any reaction that had
battered it down, invested this simple grey effort of old minds with
a repose, if not a grandeur, which a too curious reflection was apt
to disturb in its ecclesiastical and military compeers. For once
mediaevalism and modernism had a common stand-point. The lanceolate
windows, the time-eaten archstones and chamfers, the orientation of
the axis, the misty chestnut work of the rafters, referred to no
exploded fortifying art or worn-out religious creed. The defence and
salvation of the body by daily bread is still a study, a religion,
and a desire.

To-day the large side doors were thrown open towards the sun to admit
a bountiful light to the immediate spot of the shearers' operations,
which was the wood threshing-floor in the centre, formed of thick
oak, black with age and polished by the beating of flails for many
generations, till it had grown as slippery and as rich in hue as
the state-room floors of an Elizabethan mansion. Here the shearers
knel