l was evidently by arrangement.

"Gabriel," said she, "will you move again, please, and let Mr.
Boldwood come there?"

Oak moved in silence back to his original seat.

The gentleman-farmer was dressed in cheerful style, in a new coat
and white waistcoat, quite contrasting with his usual sober suits of
grey. Inwardy, too, he was blithe, and consequently chatty to an
exceptional degree. So also was Bathsheba now that he had come,
though the uninvited presence of Pennyways, the bailiff who had been
dismissed for theft, disturbed her equanimity for a while.

Supper being ended, Coggan began on his own private account, without
reference to listeners:--

I've lost my love, and I care not,
I've lost my love, and I care not;
I shall soon have another
That's better than t'other;
I've lost my love, and I care not.

This lyric, when concluded, was received with a silently appreciative
gaze at the table, implying that the performance, like a work by
those established authors who are independent of notices in the
papers, was a well-known delight which required no applause.

"Now, Master Poorgrass, your song!" said Coggan.

"I be all but in liquor, and the gift is wanting in me," said Joseph,
diminishing himself.

"Nonsense; wou'st never be so ungrateful, Joseph--never!" said
Coggan, expressing hurt feelings by an inflection of voice. "And
mistress is looking hard at ye, as much as to say, 'Sing at once,
Joseph Poorgrass.'"

"Faith, so she is; well, I must suffer it! ... Just eye my features,
and see if the tell-tale blood overheats me much, neighbours?"

"No, yer blushes be quite reasonable," said Coggan.

"I always tries to keep my colours from rising when a beauty's eyes
get fixed on me," said Joseph, differently; "but if so be 'tis willed
they do, they must."

"Now, Joseph, your song, please," said Bathsheba, from the window.

"Well, really, ma'am," he replied, in a yielding tone, "I don't know
what to say. It would be a poor plain ballet of my own composure."

"Hear, hear!" said the supper-party.

Poorgrass, thus assured, trilled forth a flickering yet commendable
piece of sentiment, the tune of which consisted of the key-note and
another, the latter being the sound chiefly dwelt upon. This was so
successful that he rashly plunged into a second in the same breath,
after a few false starts:--

I sow'-ed th'-e .....
I sow'-ed .....
I sow'-ed th'-e seeds' of' love',