rivings of the Negro been bound up with his sentiments and
interests, his habits and endeavors, his situation and circumstances,
his monuments and edifices, his poetry and song.

F. C. SUMNER

_Unsung Heroes._ By MRS. ELIZABETH ROSS HAYNES. N. Y. DuBois &
Dill. 1921. 279 pp. Illustrated.

One of the gravest problems now facing the Negroes in the United
States, and a problem none the less grave because unrecognized by the
unthinking majority, is that of reading for their children. Can
anything be more dangerous than the continual subjection of our
children to the influence of books, magazines, and newspapers in which
their race is being held up constantly to pity or contempt? The use of
opprobrious and insulting epithets with reference to the Negro is so
common in English and American publications as to need no more than a
mere reference here, and this practice is to be noted even in authors
who are conscious of no active race hostility. If the psychological
influence of such endlessly reiterated and therefore inescapable slurs
is bad for adults, how much worse must it be for children. In _The
Brownies' Book_, published by DuBois and Dill, a most praiseworthy
attempt has been made to meet this need in the form of a children's
magazine free from all objectionable matter, and it is nothing short
of a national calamity that this periodical has been forced to suspend
publication because of a lack of sufficient patronage. It is fitting,
then, that the same publishers should issue the book now under our
hand, a fine specimen of the printer's art in paper, presswork,
binding, and illustrations.

In it the author, the wife of Dr. George E. Haynes, the well-known
sociologist, has set forth in a language and style suited to young
readers the lives of seventeen of the most celebrated men and women
of Negro descent. Eight of them--Douglass, Harriet Tubman, Banneker,
Phillis Wheatley, Josiah Henson, Sojourner Truth, Attucks, and Paul
Cuffe--belong to the ante-bellum period in America; five--Dunbar,
Booker Washington, B. K. Bruce, Crummell, and Langston--to the
reconstruction and late nineteenth century periods; and four--Pushkin,
the Russian; L'Ouverture, the Haytian; Coleridge-Taylor, the
Englishman; and Alexandre Dumas, the Frenchman--belong across the
ocean. It will be seen that the selection is a representative one, and
that no living person is included. The material chosen