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especting their use. For instance, the Fifteenth Canon orders that on Wednesdays and Fridays weekly, warning shall be given to the people that litany will be said, by _tolling of a bell_. And, on the other hand, though we toll at a funeral, the Sixty-seventh Canon enjoins that-- "After the party's death, there shall be rung no {239} more but one short peal, and one other before the burial, and one other after the burial. The peal here alluded to does not of course mean what MR. ELLACOMBE has so clearly described to be a modern peal, in Vol. i., p. 154., of "NOTES AND QUERIES;" but it would at least amount, I suppose, to _consonantia campanarum_, a ringing together of bells, as distinguished from the _toll_ or single stroke on a bell. Horne Tooke says: "The toll of a bell is its being _lifted up_ (_tollere_, to raise), which causes that sound we call its toll." The poet does not clear the ambiguity and confusion of terms, when he sings-- "Faintly as _tolls_ the evening _chime_!" Peals are not heard in London on Sunday mornings, I believe; but in the country, at least hereabouts, they are commonly rung as the summons to church, ending with a few strokes on one bell; and then a smaller bell than any in the peal (the _sanctus_ bell of old, perhaps, and now sometimes vulgarly called "Tom Tinkler") announces that divine service is about to begin. The object of these remarks is to elicit clearly what is the right way of ringing the bells of a church on the several occasions of their being used. ALFRED GATTY. Ecclesfield. * * * * * MAZER WOOD: GUTTA PERCHA. In the _Musaeum Tradescantianum, or a Collection of Rarities preserved at South Lambeth, near London_, by John Tradescant, 1656, I find, amongst "other variety of rarities," "the plyable Mazer wood, which, being warmed in water, will work to any form;" and a little farther on, in the list of "utensils and household stuffe," I also find "Mazer dishes." In my opinion, it is more than a coincidence that Doctor Montgomery, who, in 1843, received the gold medal of the Society of Arts for bringing gutta percha and its useful properties under the notice of that body, describes it in almost the same words that Tradescant uses when speaking of the pliable Mazer wood: the Doctor says, "it could be moulded into any form by merely dipping it into boiling water." It is worthy of remark that Tradescant, who wa
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