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ding. A few have even been taverns since first built; others have served many other uses. A well-preserved old house, built in 1690 in Sudbury, Massachusetts, was originally known as the Red Horse Tavern, but has acquired greater fame as the Wayside Inn of Longfellow's Tales. Its tap-room with raftered ceiling and cage-like bar with swinging gate is a picturesque room, and is one of the few old tap-rooms left unaltered in New England. Every inn had a name, usually painted on its swinging sign-board, with some significant emblem. These names were simply repetitions of old English tavern-signs until Revolutionary days, when patriotic landlords eagerly invented and adopted names significant of the new nation. The scarlet coat of King George became the blue and buff of George Washington; and the eagle of the United States took the place of the British lion. The sign-board was an interesting survival of feudal times, and with its old-time carved and forged companions, such as vanes and weathercocks, doorknockers and figureheads, formed a picturesque element of decoration and symbolism. Many chapters might be written on historic, commemorative, emblematic, heraldic, biblical, humorous, or significant signs, nearly all of which have vanished from public gaze, as has disappeared also the general incapacity to read, which made pictorial devices a necessity. Gilders, painter-stainers, smiths, and joiners all helped to make the tavern-sign a thing of varied workmanship if not of art. It is said that Philadelphia excelled in the quantity and quality of her sign-boards. With fair roads for colonial days, the best and amplest system of transportation, and the splendid Conestoga wagons, great inns multiplied throughout Pennsylvania. In Baltimore both taverns and signs were many and varied, from the Three Loggerheads to the Indian Queen with its "two hundred guest-rooms with a bell in every room," and the Fountain Inn built around a shady court, with galleries on every story, like the Tabard Inn at Southwark. The swinging sign-board of John Nash's Tavern at Amherst, Massachusetts, is here reproduced from the _History of Amherst_. It is a good type of the ordinary sign-board which was found hanging in front of every tavern a century ago. In Virginia and the Carolinas taverns were not so plentiful nor so necessary; for a traveller might ride from Maryland to Georgia, and be sure of a welcome at every private house on the way. Som
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