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gaining ground among us, promises to furnish an unexhausted resource and a profitable employment of female labor." _Salem Observer_, 1834. * * * * * In one of the numbers of the London "Spectator" for 1884 is an interesting account of an attempt to revive the spinning-wheel industry in England, through the kind offices of Mr. Albert Flemming, for the purpose of helping poor women too old or blind to leave their homes for other work. After considerable difficulty, a wheel was discovered among a store of ancient articles; but no one at first knew how to use it. Spinning was one of the lost arts, apparently. At length, however, an old woman of eighty-four was found who understood the use of the wheel. She taught Mr. Flemming how to spin. A few more old wheels were found, and some new ones constructed. Then it was some time before a loom could be discovered. Eventually this was accomplished, and the art of weaving taught. The account says that twenty women who were unable otherwise to obtain a living, are now busily at work, happy in being able to provide for their families. They make, it may be added, a good strong, honest linen, specimens of which have been presented to Mr. Ruskin. This account is substantially from the "Living Age," Nov. 1, 1884. [Illustration] University Press: John Wilson & Son, Cambridge. Transcriber's notes: These are mainly excerpts from Newspapers. Original spelling was not corrected. Text version *** Represents Inverted Asterism --> Represents Right Index End of the Project Gutenberg EBook of The Olden Time Series: Vol. 2: The Days of the Spinning-Wheel in New England, by Various *** END OF THIS PROJECT GUTENBERG EBOOK OLDEN TIME SERIES *** ***** This file should be named 22405.txt or 22405.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/4/0/22405/ Produced by Juliet Sutherland, Christine D. and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright roy
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