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The Project Gutenberg EBook of Read-Aloud Plays, by Horace Holley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Read-Aloud Plays Author: Horace Holley Release Date: June 4, 2005 [EBook #15983] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK READ-ALOUD PLAYS *** Produced by Kentuckiana Digital Library, David Garcia, Melissa Er-Raqabi and the Online Distributed Proofreading Team at http://www.pgdp.net. READ-ALOUD PLAYS _BY HORACE HOLLEY_ _DIVINATIONS AND CREATIONS_ _READ-ALOUD PLAYS_ _THE DYNAMICS OF ART_ _BAHAISM_ _THE SOCIAL PRINCIPLE_ _THE INNER GARDEN_ _THE STRICKEN KING_ READ-ALOUD PLAYS BY HORACE HOLLEY NEW YORK MITCHELL KENNERLEY 1916 COPYRIGHT 1916 BY MITCHELL KENNERLEY DRAMATIC AND LECTURE RIGHTS RESERVED BY HORACE HOLLEY PRINTED IN AMERICA CONTENTS PAGE INTRODUCTION V HER HAPPINESS 1 A MODERN PRODIGAL 7 THE INCOMPATIBLES 29 THE GENIUS 39 SURVIVAL 55 THE TELEGRAM 71 RAIN 79 PICTURES 103 HIS LUCK 121 INTRODUCTION The first two or three of these "plays" (I retain the word for lack of a better one) began themselves as short stories, but in each case I found that the dramatic element, speech, tended to absorb the impersonal element of comment and description, so that it proved easier to go on by allowing the characters to establish the situation themselves. As I grew conscious of this tendency, I realized that even for the purpose of reading it might be advantageous to render the short story subject dramatically, since this method is, after all, one of extreme realism, which should also result in an increase of interest. As the series developed, however, I perceived that something more than a new short story form was involved; I perceived that the "read-aloud" play has a distinct character and function of its own. In the long run, everything human rises or falls to the level of speech. The culminating point, even of action the most poignant or emotion the most intimate, is where it
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