The Project Gutenberg EBook of Read-Aloud Plays, by Horace Holley
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: Read-Aloud Plays
Author: Horace Holley
Release Date: June 4, 2005 [EBook #15983]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK READ-ALOUD PLAYS ***
Produced by Kentuckiana Digital Library, David Garcia,
Melissa Er-Raqabi and the Online Distributed Proofreading
Team at http://www.pgdp.net.
READ-ALOUD PLAYS
_BY HORACE HOLLEY_
_DIVINATIONS AND CREATIONS_
_READ-ALOUD PLAYS_
_THE DYNAMICS OF ART_
_BAHAISM_
_THE SOCIAL PRINCIPLE_
_THE INNER GARDEN_
_THE STRICKEN KING_
READ-ALOUD PLAYS
BY
HORACE HOLLEY
NEW YORK
MITCHELL KENNERLEY
1916
COPYRIGHT 1916 BY
MITCHELL KENNERLEY
DRAMATIC AND LECTURE
RIGHTS RESERVED BY
HORACE HOLLEY
PRINTED IN AMERICA
CONTENTS
PAGE
INTRODUCTION V
HER HAPPINESS 1
A MODERN PRODIGAL 7
THE INCOMPATIBLES 29
THE GENIUS 39
SURVIVAL 55
THE TELEGRAM 71
RAIN 79
PICTURES 103
HIS LUCK 121
INTRODUCTION
The first two or three of these "plays" (I retain the word for lack of a
better one) began themselves as short stories, but in each case I found
that the dramatic element, speech, tended to absorb the impersonal element
of comment and description, so that it proved easier to go on by allowing
the characters to establish the situation themselves. As I grew conscious
of this tendency, I realized that even for the purpose of reading it might
be advantageous to render the short story subject dramatically, since this
method is, after all, one of extreme realism, which should also result in
an increase of interest. As the series developed, however, I perceived
that something more than a new short story form was involved; I perceived
that the "read-aloud" play has a distinct character and function of its
own. In the long run, everything human rises or falls to the level of
speech. The culminating point, even of action the most poignant or emotion
the most intimate, is where it
|