y. Decay of local styles.
Introduction of red colouring into clay and of superlative Attic
black glaze.
Figure scenes (battle scenes and scenes from mythology) largely
predominate. Black silhouettes, details marked with fine incisions,
additions of purple and white (latter for linen and flesh of women).
Elaborate palmettos characteristic (III, Fig. 31).
IV. CLASSICAL GREEK
Red Figured Period.
525 B.C. Same clay and glaze, but whole vase covered with glaze and
figures reserved showing in colour of clay, details being added with
fine-drawn lines of glaze.
White Attic Vases. The older style of figures drawn in outline on a
light ground (e. g. Naucratite and Rhodian ware), the space within
outlines being filled more or less with wash of colour, survived in
Athens side by side with the more usual black glazed ware, and in the
fifth century was particularly affected for the class of funerary
lekythi, vases made for offering at a tomb (III, Fig. 30). Outlines at
first drawn in black, then golden brown, lastly a dull red.
Miscellaneous.
Walls. Sixth century. Characteristic type of polygonal wall, each
irregular stone very carefully fitted to its neighbours.
Fortifications usually built with square towers and bastions
projecting from the curtain.
Round watch towers here and there to be met with.
Bricks. Baked bricks rarely used till Roman days. Bricks stamped by
King Nabis (early second century) have been found at Sparta.
Terra-cotta roof tiles (sometimes with stamped inscriptions)
largely used.
Laconian Pottery Characteristics. Fragments of black glazed Attic
ware are the class of remains easiest to pick up on any Greek
inhabited site, except perhaps in Laconia, where perhaps for
political reasons the local style was never ousted and pursued its
natural process of decay until Hellenistic times. Use of white slip
over pink clay complete at end of seventh century, then partial;
abandoned by beginning of fifth century. Characteristic patterns,
squares, and dots (III, Fig. 28) seventh century; lotus and pomegranates
sixth century and fifth century.
500 B.C.--After the end of the fifth century, manufacture of vases at
Athens decayed. Supply chiefly from South Italy. Growing use of
additional white (rare in Attic red figure vases), sometimes addition
of detail in yellowish brown, and a general coarseness of execution,
mark the change.
Terra-cotta figurines (figures of everyday life, mostly female; head
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