ts about which
information may be received, particularly if they are a little off
the beaten track. Reward will often come in the shape of valuable
discoveries, of which many remain to be made. Cilicia in particular
has been imperfectly explored, and interesting monuments and
inscriptions, particularly Hittite, may be found there.
2. Pottery Fabrics.
It is not yet possible to describe fully or accurately the succession
of styles, or even to assign all known fabrics to their proper
periods. For this reason, even the most fragmentary specimens are of
interest, provided only that:
(1) the outer surface is fairly well preserved,
(2) the place of discovery is known.
All fragments showing a rim or spout, handles or part of a base,
should be preserved until they can be compared with a more perfect
specimen.
The following fabrics, however, are widely distributed, and usually
seem to have flourished in the order in which they are here
described:
A.
Hand-made wares, rough within, but smooth or burnished surface, self-
coloured (drab or brown), or intentionally coloured black (by charred
matter in the clay, or by a smoky fire), or red (by a clear fire,
sometimes aided by a wash or 'slip' of more ferruginous clay).
Sometimes a black ware is 'overfired' to an ashy grey.
In such wares ornament is rare, and consists mainly of (a) incised
dots, dashes, or lines, in simple rectilinear patterns (chevrons,
zigzags, lozenges), often enhanced by a white chalky filling (V, Figs 5-
8); (b) ridges or bosses modelled in the clay surface, or adhering to
it. The forms are plump and globular, often round-bottomed or
standing on short feet. Rims are absent or ill-developed; necks
actually prolonged into trough-spouts or long beaks; handles are very
simple and short. Vases are sometimes modelled like animals, or have
human faces or breasts (V, Figs. 1-4).
These wares begin in the Stone Age, and seem to predominate in the
early and middle Bronze Age. Locally they may have lasted even later,
but the use of the potter's wheel spread rapidly in the early Bronze
Age.
B.
Hand-made wares of light-coloured clay, with painted decoration,
usually in black or reddish-brown. The paint is generally without
glaze, but sometimes is decayed and easily washes off.
The forms and ornaments resemble those of class A, but are less rude
and more varied. Distinct rims and standing-bases appear, and spouts
give place to a pinched lip.
C.
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