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My father did not leave any instructions as to his collections; consequently they are my property. I would hand them over to the city, in fulfilment of his wishes, if I were quite sure he did wish it. As he did not will them away, he, moved by my aunt's remonstrances, may have left it to me to bring them sometime or other over to Poland. That my father thought of this in later times is proved by the numerous bequests and codicils in his will. Among others there is one that touched me more deeply than I can tell: "The head of the Madonna by Sassoferrato I leave to my future daughter-in-law." 25 May. The sculptor Lukomski began a month ago a full-length statue of my father, from a bust done by himself some years ago. I call upon him often in the middle of the day to watch the progress of the work. The studio is a barn-like building, with a huge skylight on the north side; consequently no sun comes in, and the light is cold. When I sit there I seem to be out of Rome altogether. To heighten the illusion, there is Lukomski, with his Northern features, light beard, and the dreamy blue eyes of a mystic. His two assistants are Poles, and the two dogs in the yard are called Kruk and Kurta,--in short, the place has the appearance of a northern isle in a southern sea. I like to go there for the quaintness of the thing, and I like to watch Lukomski at his work. There is in him at the same time so much power and simplicity. He is especially interesting when he stands back a short distance so as to get a better view of his work, and then suddenly goes back as to an attack. He is a very talented sculptor. The shape of my father seems to grow under his hand, and assume a wonderful likeness. It will be not only a portrait, but a work of art. If anybody, it is he who is altogether absorbed in the beauty of form. It seems to me that he works out his thoughts by the help of Greek noses, heads, arms, and torsos, more than by help of ideas. He has lived fifteen years at Rome, and still goes to galleries and museums, as if he had arrived yesterday. This proves that worship of form may fill a man's life, and become his religion, provided he is its high priest. Lukomski has as much veneration for beauty in human shape as devotees for holy shrines. I asked him which he considered the most beautiful woman in Rome. He answered, without hesitation, "Mrs. Davis;" and there and then, with his plastic thumbs, with the expressive motion common
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