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acknowledge Arians as Christians; whether or not he had the boldness to refuse that name to the empress is not told us. It is certain that Eusebia's kindness to Julian was worthy of a Christian, even though it succored one who was to be the arch-enemy of the faith. She befriended and protected him when he was summoned to a court where it was to the interest of every courtier to report every action and every chance word to Constantius. She may have been desirous of making a friend of the heir-apparent, being herself childless; but it is easy to believe that "the good and beautiful Eusebia," as Julian calls her, was both sincere and disinterested in her kindness. She brought it about that the emperor gave his permission to the young man, who had hitherto been a prisoner, to retire to a beautiful estate which he had inherited from his mother. The fortunes of Julian were in good hands at the court. Constantius was greatly influenced by the eunuchs who surrounded him, and who were the bureaucratic officers of those times; but Eusebia was stronger than all others combined. When the emperor complained that the unaided rule was too much for him, she suggested that he raise his young kinsman to the Caesarian dignity. Her advice was followed; and the imperial purple, and with it the hand of Helena, the sister of Constantius, were conferred upon Julian. As a wedding gift, Eusebia, with the most refined consideration possible, presented him with a valuable collection of the best Greek authors. It is likely that he felt more appreciative gratitude for the books than he did either for the official dignity or the highborn bride. As Caesar, it was intended by Constantius that he should be no more than a figure; and for his wife it is doubtful if he ever felt any real affection. As historians have remarked, in his numerous writings Julian sometimes mentions the Helen of Homer, but never once his own Helen. She must have been considerably older than her husband, and was probably a Christian, as were her brothers. That there was no offspring of this marriage was imputed to the arts of Eusebia, who, according to Ammianus Marcellinus, exercised a close and unnatural supervision over the household of her protege. Inasmuch as there appears no motive for a wish on the part of the empress that Helena should be childless, we are inclined, as Gibbon says, "to hope that the public malignity imputed the effects of accident as the guilt of Eusebia."
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