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cend the spur to get it. For some hours not a sound broke the silence, then a stone rolled down, and presently Larmer's head appeared above a boulder. He looked carefully round, and then, finding all quiet, began the descent. On the very edge of the pool he again stopped and listened, holding his pistol at full cock. His left hand was slung to his chest by a piece of green hibiscus bark, which was passed round his neck and roughly tied. The silence all around him was reassuring, but he still held out the pistol as he bent his knees to drink. Ere his lips could touch the water two half-naked figures sprang upon him and bore him down. He was too weak to resist. "Do not bind him," said Challoner, "but tie his right hand behind his back." Larmer turned his bloodshot eyes upon the trader, but said nothing. "Give him a drink." A native placed a gourd of water to his lips. He drank greedily. Then, in silence, Challoner and his men began their march back. ***** At sunset the people of Jakoits gathered together in front of the blackened space whereon the trader's house had stood. Raised on four heavy blocks of stone was the still blood-stained cannon, and bound with his back to its muzzle was Larmer. Challoner made a sign, the brown-skinned men and women moved quickly apart in two parties, one on each side of the gun. Then Rul, the chief of the Jakoits* village, advanced with a lighted stick, touched the priming, and sprang aside. A sheet of flame leaped out, a bursting roar pealed through the leafy forest aisles, and Challoner had avenged his murdered wife. End of the Project Gutenberg EBook of The Brothers-In-Law: A Tale Of The Equatorial Islands; and The Brass Gun Of The Buccaneers, by Louis Becke *** END OF THIS PROJECT GUTENBERG EBOOK THE BROTHERS-IN-LAW *** ***** This file should be named 25056.txt or 25056.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/5/0/5/25056/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and d
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