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. E. Dowden._ The so-called uniformity and monotony of American life struck me as existing in appearance much more than in reality. If all my ten neighbours have pretty much the same income and enjoy pretty much the same comforts, their little social circle is certainly in a sense much more uniform than if their incomes ranged down from L10,000 to L300 and their household state from several powdered footmen to a little maid-of-all-work; but surely in all that really matters--in thoughts, ideas, personal habits and tastes, internal storms and calms, the elements of tragedy and comedy, talents and ambitions, loves and fears--the former circle might be infinitely more varied than the latter. Many critics of American life seem to have been led away by merely external similarities, and to have jumped at once to the conclusion that one Philadelphian must be as much like another as each little red-brick, white-stooped house of the Quaker City is like its neighbours. A single glance at the enormous number of _intelligent_ faces one sees in American society, or even in an American street, is enough to dissipate the idea that this can be a country of greater monotony than, say, England, where expressionless faces are by no means uncommon, even in the best circles. America is more monotonous than England, if a more equitable distribution of material comforts be monotony; it is not so, if the question be of originality of character and susceptibility to ideas. End of Project Gutenberg's The Land of Contrasts, by James Fullarton Muirhead *** END OF THIS PROJECT GUTENBERG EBOOK THE LAND OF CONTRASTS *** ***** This file should be named 17648.txt or 17648.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/6/4/17648/ Produced by Bethanne M. Simms, Karen Dalrymple, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept
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