cuously
in those on Milton, Clive, Warren Hastings and Croker's edition of
Boswell's Johnson. In these he is always the advocate laboring to
convince his hearers; always the orator filled with that passion of
enthusiasm which makes one accept his words for the time, just as
one's mind is unconsciously swayed by the voice of an eloquent
speaker. It is this intense earnestness, this fierce desire to
convince, joined to this prodigal display of learning, which stamps
Macaulay's words on the brain of the receptive reader. Only when in
cold blood we analyze his essays do we escape from this literary
hypnotism which he exerts upon every reader.

The essays of Macaulay are full of meat and all are worth reading,
but, of course, every reader will differ in his estimate of them
according to his own tastes and sympathies. It is fine practice to
take one of these essays and look up the literary and historical
allusions. No more attractive work than this can be set before a
reading club. It will give rich returns in knowledge as well as in
methods of literary study. Macaulay's _History_ is not read to-day as
it was twenty years ago, mainly because historical writing in these
days has suffered a great change, due to the growth of religious and
political toleration. Macaulay is a partisan and a bigot, but if one
can discount much of his bias and bitterness it will be found
profitable to read portions of this history. Macaulay's verse is not
of a high order, but his _Lays_ are full of poetic fire, and they
appeal to a wider audience than more finished verse.

Of all the English writers of the last century Macaulay has preserved
the strongest hold on the reading public, and whatever changes time
may make in literary fashions, one may rest assured that Macaulay will
always retain his grip on readers of English blood.

SCOTT AND HIS WAVERLEY NOVELS

THE GREATEST NOVELIST THE WORLD HAS KNOWN--HE MADE HISTORY
REAL AND CREATED CHARACTERS THAT WILL NEVER DIE.

It is as difficult to sum up in a brief article the work and the
influence of Sir Walter Scott as it is to make an estimate of
Shakespeare, for Scott holds the same position in English prose
fiction that Shakespeare holds in English poetry. In neither
department is there any rival. In sheer creative force Scott stands
head and shoulders above every other English novelist, and he has no
superior among the novelists of any other nation. He has made Scotland
and the