matic. When they came to compare notes
they found that all three had chosen the same--the entry of the
unknown knight at Ashby de la Zouch, who passes by the tents of the
other contestants and strikes with a resounding clash the shield of
the haughty Templar. This romance also contains one of Scott's finest
women, the Jewess Rebecca, who atones for the novelist's many insipid
female characters. Scott was much like Stevenson--he preferred to draw
men, and he was happiest when in the clash of arms or about to
undertake a desperate adventure.
_Quentin Durward_ is memorable for its splendid picture of Louis XI,
one of the ablest as well as one of the meanest men who ever sat on a
throne. The early chapters of this novel, which describe the
adventures of the young Scotch soldier at the court of France, have
never been surpassed in romantic interest. _The Talisman_ gives the
glory and the romance of the Crusades as no other imaginative work has
done. It stands in a class by itself and is only approached by Scott's
last novel, _Count Robert of Paris_, which gives flashes of the same
spirit.
Of the Scotch novels it is difficult to make a choice, but it seems to
me _The Heart of Midlothian_ has the widest appeal, although many
would cast their votes for _Old Mortality_, _The Antiquary_ or _Rob
Roy_ because of the rich humor of those romances. Scott's dialect,
although true to nature, is not difficult, as he did not consider it
necessary to give all the colloquial terms, like the modern "kailyard"
writers.
If you read three or four of Scott's novels you are pretty apt to read
more. It is an easy matter to skip the prolix passages and the
unnecessary introductions. This done, you have a body of romance that
is far richer than any present-day fiction. And their great merit is
that, though written in a coarse age, the _Waverley_ novels are sweet
and wholesome. One misses a great source of enjoyment and culture who
fails to read the best of Scott's novels. Take them all in all, they
are the finest fiction that has ever been written, and their continued
popularity, despite their many faults, is the best proof of their
sterling merit.
CARLYLE AS AN INSPIRER OF YOUTH
THE FINEST ENGLISH PROSE WRITER OF THE LAST CENTURY--HIS BEST
BOOKS, "PAST AND PRESENT," "SARTOR RESARTUS" AND THE "FRENCH
REVOLUTION."
As an influence in stimulating school and college students, Macaulay
must be given a foremost place, bu
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