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n, when he retires to rest, amid the blessings of exulting nature. It is the balmy breath of the summer breeze, the twilight's last and holiest sigh. In the dramatic poem before us, the interest is of a different nature; it is dark--wild, and unearthly. The characters that appear in it are of no mortal stamp; they are daemons in human guise, inscrutable in their actions, subtle in their revenge. Each has his smile of awful meaning--his purport of hellish tendency. The tempest that rages in his bosom is irrepressible but by death. The phrenzied groan that diseased imagination extorts from his perverted soul, is as the thunder-clap that reverberates amid the cloud-capt summits of the Alps. It is the storm that convulses all nature--that lays bare the face of heaven, and gives transient glimpses of destruction yet to be. Then in the midst of all these accumulated horrors comes the gentle Beatrice, "Who in the gentleness of thy sweet youth Hast never trodden on a worm, or bruised A living flower, but thou hast pitied it With needless tears." Page 50. She walks in the light of innocence; in the unclouded sunshine of loveliness and modesty; but her felicity is transient as the calm that precedes the tempest; and in the very whispers of her virtue, you hear the indistinct muttering of the distant thunder. She is conceived in the true master spirit of genius; and in the very instant of her parricide, comes home to our imagination fresh in the spring time of innocence--hallowed in the deepest recesses of melancholy. But notwithstanding all these transcendant qualities, there are numerous passages that warrant our introductory observations respecting the Cockney school, and plunge "full fathom five," into the profoundest depths of the Bathos. While, therefore, we do justice to the abilities of the author, we shall bestow a passing smile or two on his unfortunate Cockney propensities. The following are the principal incidents of the play. Count Cenci, the _daemon_ of the piece, delighted with the intelligence of the death of two of his sons, recounts at a large assembly, specially invited for the purpose, the circumstances of the dreadful transaction. Lucretia, his wife, Beatrice, his daughter, and the other guests, are of course startled at his transports; but when they hear his awful imprecations, "Oh, thou bright wine whose purple splendor leaps And bubbles gaily in this golden bowl Under th
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