FREE BOOKS

Author's List




PREV.   NEXT  
|<   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153  
154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   >>   >|  
ich deserves to be put in the right way, or which, at least, ought to be warned of the wrong; and if, finally, he had not told us that he is of an age and temper which imperiously require mental discipline. Of the story we have been able to make out but little; it seems to be mythological, and probably relates to the loves of Diana and Endymion; but of this, as the scope of the work has altogether escaped us, we cannot speak with any degree of certainty; and must therefore content ourselves with giving some instances of its diction and versification:--and here again we are perplexed and puzzled.--At first it appeared to us, that Mr. Keats had been amusing himself and wearying his readers with an immeasurable game at _bouts-rimes_; but, if we recollect rightly, it is an indispensable condition at this play, that the rhymes when filled up shall have a meaning; and our author, as we have already hinted, has no meaning. He seems to us to write a line at random, and then he follows not the thought excited by this line, but that suggested by the _rhyme_ with which it concludes. There is hardly a complete couplet enclosing a complete idea in the whole book. He wanders from one subject to another, from the association, not of the ideas but of sounds, and the work is composed of hemistichs which, it is quite evident, have forced themselves upon the author by the mere force of the catchwords on which they turn. We shall select, not as the most striking instance, but as that least liable to suspicion, a passage from the opening of the poem. ----'Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; and clear rills That for themselves a cooling covert make 'Gainst the hot season; the mid forest brake, Rich with a sprinkling of fair musk-rose blooms: And such too is the grandeur of the dooms We have imagined for the mighty dead; &c. &c.'--pp. 3, 4. Here it is clear that the word, and not the idea, _moon_ produces the simple sheep and their shady _boon_, and that 'the _dooms_ of the mighty dead' would never have intruded themselves but for the '_fair musk-rose blooms_.' Again. 'For 'twas the morn: Apollo's upward fire Made every eastern cloud a silvery pyre Of brightness so unsullied, that therein A melancholy spirit well might win Oblivion, and melt out his essence fine
PREV.   NEXT  
|<   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153  
154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   >>   >|  



Top keywords:

blooms

 

mighty

 

simple

 
complete
 

meaning

 
author
 

sprouting

 

melancholy

 

spirit

 

brightness


silvery

 

unsullied

 

catchwords

 

instance

 

liable

 
striking
 

Oblivion

 

select

 
suspicion
 

essence


passage

 

opening

 

forced

 

upward

 

grandeur

 

imagined

 

intruded

 
produces
 

Apollo

 

eastern


cooling
 

covert

 
Gainst
 

sprinkling

 

season

 

forest

 
daffodils
 

suggested

 

degree

 

certainty


Endymion

 

altogether

 

escaped

 

content

 
perplexed
 

puzzled

 

versification

 
diction
 

giving

 

instances