rather clearer that it has greater faults, than
that it has greater beauties; though, for our own parts, we are inclined
to believe in both propositions. It has more tedious and flat passages,
and more ostentation of historical and antiquarian lore; but it has also
greater richness and variety, both of character and incident; and if it
has less sweetness and pathos in the softer passages, it has certainly
more vehemence and force of colouring in the loftier and busier
representations of action and emotion. The place of the prologuizing
minstrel is but ill supplied, indeed, by the epistolary dissertations
which are prefixed to each book of the present poem; and the ballad
pieces and mere episodes which it contains, have less finish and
poetical beauty; but there is more airiness and spirit in the lighter
delineations; and the story, if not more skilfully conducted, is at
least better complicated, and extended through a wider field of
adventure. The characteristics of both, however, are evidently the
same;--a broken narrative--a redundancy of minute description--bursts of
unequal and energetic poetry--and a general tone of spirit and
animation, unchecked by timidity or affectation, and unchastised by any
great delicacy of taste, or elegance of fancy.
But though we think this last romance of Mr Scott's about as good as the
former, and allow that it affords great indications of poetical talent,
we must remind our readers, that we never entertained much partiality
for this sort of composition, and ventured on a former occasion to
express our regret, that an author endowed with such talents should
consume them in imitations of obsolete extravagance, and in the
representation of manners and sentiments in which none of his readers
can be supposed to take much interest, except the few who can judge of
their exactness. To write a modern romance of chivalry, seems to be
much such a fantasy as to build a modern abbey, or an English pagoda.
For once, however, it may be excused as a pretty caprice of genius; but
a second production of the same sort is entitled to less indulgence, and
imposes a sort of duty to drive the author from so idle a task, by a
fair exposition of the faults which are in a manner inseparable from its
execution. To enable our readers to judge fairly of the present
performance, we shall first present them with a brief abstract of the
story; and then endeavour to point out what seems to be exceptionable,
and what
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