ly
producing increased respect for the veracity of those who transmitted
the accounts of our ancestral life, which, at one time, were supposed to
be purely mythical. Skin or leather garments were in use certainly until
the tenth century, in the form of cloaks. It is supposed that
Muircheartach obtained the soubriquet "of the leathern cloaks," from the
care which he took in providing his soldiers with them; and it is said
that, in consequence of this precaution, there was not a single man lost
in this campaign.
[Illustration: ANCIENT BOOT.]
We give a specimen of an ancient shoe and boot, from the collection of
the Royal Irish Academy. It would appear as if the Celt was rather in
advance of the Saxon in the art of shoemaking; for Mr. Fairholt has been
obliged to give an illustration selected from Irish remains, in his
history, although it is exclusively devoted to British costume. In
illustrating the subject of gold ornaments, he has also made a selection
from the same source. Some curious specimens of shoes joined together,
and therefore perfectly useless for ordinary wear, have also been
discovered. Sir W. Wilde conjectures they may have been used by
chieftains as inauguration shoes.[269]
[Illustration: ANCIENT SHOE.]
Saffron was a favourite colour, though it does not appear evident how
the dye was procured. There is no doubt the Irish possessed the art of
dyeing from an early period. Its introduction is attributed to King
Tighearnmas, who reigned from A.M. 3580 to 3664. It is probable the
Phoenicians imparted this knowledge to our ancestors. Although our old
illuminations are not as rich in figures as those from which English
historians have obtained such ample information regarding the early
costume of that country, we have still some valuable illustrations of
this interesting subject. These representations also are found to
correspond faithfully, even in the details of colour, with the remains
which have been discovered from time to time. Our ancient crosses give
immense scope for antiquarian research, though the costumes are
principally ecclesiastical, and hence are not of so much general
interest. But the Book of Rights[270] affords ample information, as far
as mere description, of the clothing of a higher class. While the
peasant was covered with a garment of untanned skin or fur, however
artistically sown together, the bards, the chieftains, and the monarchs
had their tunics [_imar_] of golden borders, t
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