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y, and of backwoods melodies, such as had been invented for native ballads by "settlement" masters and brought into general circulation by stage-drivers, wagoners, cattle--drovers, and other such itinerants of earlier days. Music of the concert-room was also drafted into the service, and selections from the inferior operas, with the necessary mutilations of the text, of course; so that the whole school of negro minstrelsy threatened a lapse, when its course of decline was suddenly and effectually arrested. A certain Mr. Andrews, dealer in confections, cakes, and ices, being stirred by a spirit of enterprise, rented, in the year 1845, a second-floor hall on Wood Street, Pittsburgh supplied it with seats and small tables, advertised largely, employed cheap attractions,--living statues, songs, dances, &c.,--a stage, hired a piano, and, upon the dissolution of his band, engaged the services of Nelson Kneass as musician and manager. Admittance was free, the ten-cent ticket required at the door being received at its cost value within towards the payment of whatever might be called for at the tables. To keep alive the interest of the enterprise, premiums were offered, from time to time, of a bracelet for the best conundrum, a ring with a ruby setting for the best comic song, and a golden chain for the best sentimental song. The most and perhaps only really valuable reward--a genuine and very pretty silver cup, exhibited night after night, beforehand--was promised to the author of the best original negro song, to be presented before a certain date, and to be decided upon by a committee designated for the purpose by the audience at that time. Quite a large array of competitors entered the lists; but the contest would be hardly worthy of mention, save as it was the occasion of the first appearance of him who was to prove the reformer of his art, and to a sketch of whose career the foregoing pages are chiefly preliminary. Stephen Collins Foster was born in Alleghany, Pennsylvania, on the 4th of July, 1826. He was the youngest child of his father, William B. Foster,--originally a merchant of Pittsburg, and afterwards Mayor of his native city, member of the State Legislature, and a Federal officer under President Buchanan, with whom he was closely connected by marriage. The evidences of a musical capacity of no common order were apparent in Stephen at an early period. Going into a shop, one day, when about seven years old, he p
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