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eminding the reader of one of Dumas' stories of a count among the forcats. To learn that there were always volunteer oarsmen among these poor outcasts is to reflect bitterly upon the average happiness of mankind. As to whether they wore much worse off than common seamen in the British navy of the period (who were only in name volunteers and had often no hope of discharge until they were worn out) under such commanders as Oakum or Whiffle [In Roderick Random.] is another question. For confirmation of Smollett's account in matters of detail the reader may turn to Aleman's Guzman d'Afarache, which contains a first-hand description of the life on board a Mediterranean slave galley, to Archenholtz's Tableau d'Italie of 1788, to Stirling Maxwell's Don John of Austria (1883, i. 95), and more pertinently to passages in the Life of a Galley Slave by Jean Marteilhe (edited by Miss Betham-Edwards in 1895). After serving in the docks at Dunkirk, Marteilhe, as a confirmed protestant, makes the journey in the chain-gang to Marseilles, and is only released after many delays in consequence of the personal interest and intervention of Queen Anne. If at the peace of Utrecht in 1713 we had only been as tender about the case of our poor Catalan allies! Nice at that juncture had just been returned by France to the safe-keeping of Savoy, so that in order to escape from French territory, Marteilhe sailed for Nice in a tartane, and not feeling too safe even there, hurried thence by Smollett's subsequent route across the Col di Tende. Many Europeans were serving at this time in the Turkish or Algerine galleys. But the most pitiable of all the galley slaves were those of the knights of St. John of Malta. "Figure to yourself," wrote Jacob Houblon [The Houblon Family, 1907 ii. 78. The accounts in Evelyn and Goldsmith are probably familiar to the reader.] about this year, "six or seven hundred dirty half-naked Turks in a small vessel chained to the oars, from which they are not allowed to stir, fed upon nothing but bad biscuit and water, and beat about on the most trifling occasion by their most inhuman masters, who are certainly more Turks than their slaves." After several digressions, one touching the ancient Cemenelion, a subject upon which the Jonathan Oldbucks of Provence without exception are unconscionably tedious, Smollett settles down to a capable historical summary preparatory to setting his palette for a picture of the Nissards "as they
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