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a fine parish church, with a miraculous cross celebrated for its healing power, in honour of which a yearly festival is held on the 3rd of May. The hills which extend to the north are rich in marble and iron. Despite the lack of railway communication, the town is a considerable industrial centre, with large iron-works, tanneries and manufactories of paper, chocolate and oil. CARAVAGGIO, MICHELANGELO AMERIGHI (or MERIGI) DA (1569-1609), Italian painter, was born in the village of Caravaggio, in Lombardy, from which he received his name. He was originally a mason's labourer, but his powerful genius directed him to painting, at which he worked with immitigable energy and amazing force. He despised every sort of idealism whether noble or emasculate, became the head of the Naturalisti (unmodified imitators of ordinary nature) in painting, and adopted a style of potent contrasts of light and shadow, laid on with a sort of fury, indicative of that fierce temper which led the artist to commit a homicide in a gambling quarrel at Rome. To avoid the consequences of his crime he fled to Naples and to Malta, where he was imprisoned for another attempt to avenge a quarrel. Escaping to Sicily, he was attacked by a party sent in pursuit of him, and severely wounded. Being pardoned, he set out for Rome; but having been arrested by mistake before his arrival, and afterwards released, and left to shift for himself in excessive heat, and still suffering from wounds and hardships, he died of fever on the beach at Pontercole in 1609. His best pictures are the "Entombment of Christ," now in the Vatican; "St Sebastian," in the Roman Capitol; a magnificent whole-length portrait of a grand-master of the Knights of Malta, Alof de Vignacourt, and his page, in the Louvre; and the Borghese "Supper at Emmaus." CARAVAGGIO, POLIDORO CALDARA DA (1495 or 1492-1543), a celebrated painter of frieze and other decorations in the Vatican. His merits were such that, while a mere mortar-carrier to the artists engaged in that work, he attracted the admiration of Raphael, then employed on his great pictures in the Loggie of the palace. Polidoro's works, as well as those of his master, Maturino of Florence, have mostly perished, but are well known by the fine etchings of P.S. Bartoli, C. Alberti, &c. On the sack of Rome by the army of the Constable de Bourbon in 1527, Polidoro fled to Naples. Thence he went to Messina, where he was much employed, an
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