where he painted
for a time, and presented his picture of the 'Crucifixion' to the
Dominicans as a memorial gift in honour of his father, but in Flanders
Rubens' fame overshadowed that of every other painter, and Van Dyck,
recalling an invitation which he had received from the Countess of
Arundel while still in Italy, came a second time to England, in 1630,
when he was about thirty years of age, and lodged again with a
fellow-countryman and painter named Gildorp. But his sensitive vanity
was wounded by his not at once receiving an introduction to the king, or
the countenance which the painter considered his due, and the
restlessness, which was a prominent feature in his character, being
re-awakened, he withdrew once more from England, and returned to the Low
Countries in 1631. At last, a year later, in 1632, Van Dyck's pride was
propitiated by receiving a formal invitation from Charles I., through
Sir Kenelm Digby, to visit England, and this time the painter had no
cause to complain of an unworthy reception. He was lodged by the king
among his artists at Blackfriars, having no intercourse with the city,
save by water. He had the king, with his wife and children, to sit to
him, and was granted a pension of two hundred a-year, with the
distinction of being named painter to his Majesty.
A year later Van Dyck was knighted. Royal and noble commissions flowed
upon him, and the king, who had a hereditary love of art, visited the
painter continually, and spent some of the happiest and most innocent
hours of his brief and clouded life in Van Dyck's company. Thus began
Van Dyck's success in England.
To give you an example of how often, and in how many different manners,
Van Dyck painted the king and royal family, I shall quote from a list of
his pictures--
'King Charles in coronation robes.'
'King Charles in armour' (twice).
'King Charles in white satin, with his hat on, just
descended from his horse; in the distance, view of the
Isle of Wight.'
'King Charles in armour, on a white horse; Monsieur
de St Antoine, his equerry, holding the king's
helmet.'
'The King and Queen sitting; Prince Charles,
very young, standing at the King's side; the Duke of
York, an infant, on the Queen's knee.'
'The King and Queen holding a crown of laurel
between them.'
'The Queen in white.'
'Prince Charles in armour' (two or three times).
'King, Q
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