ons--almost always in the open air. No other _genre_ painter can
compare with him in reproducing the effects of sunlight. His prevailing
colour is red, varied and repeated with great delicacy. English lovers
of art brought De Hooch into favour, and many of his pictures are in
England. There are fine examples--'The Court of a Dutch House' and 'A
Courtyard'--in the National Gallery.
Adrian van Ostade was born at Haarlem in 1610 and died in his native
town in 1685. He has been called 'the Rembrandt of _genre_ painters,'
and, like Rembrandt, he was without the sense of human beauty and grace,
for even his children are ugly; yet it is the purer, happier side of
national life which he constantly represents, and he had great feeling
for nature, with picturesqueness and harmony of design and colouring, as
well as mastery of the technique of his art. He suffered many hardships
in his youth, and grew up a quiet, industrious, family man. He left a
very large number of pictures, nearly four hundred, many of them good,
and not a few in England. 'The Alchemist'[53] is in the National
Gallery.
Maas, born in 1632, died in 1693, is a much-prized _genre_ painter,
whose pictures are rare. He was a pupil of Rembrandt. He is said to have
treated 'very simple subjects with naive homeliness and kindly humour.'
His pictures are 'well lit, with deep warm harmony, and a vigorous
touch.' 'The Idle Servant-maid,' in the National Gallery, is a
masterpiece.
Metzu, like Terburg, is _par excellence_ one of the two painters of
Dutch high life. Metzu was born in 1615, and is known to have been alive
in 1667. He painted both on a large and a small scale, and occasionally
departed from his peculiar province to represent market-scenes, etc. He
is the most refined and picturesque of _genre_ painters on a small
scale. Among his _chefs d'oeuvre_ are a 'Lady holding a Glass of Wine and
receiving an Officer,' in the Louvre; and a 'Girl writing, a Gentleman
leaning on her chair and another girl opposite playing the Lute,' in the
Hague Gallery. The fine 'Duet,' and the 'Music Lesson' are both in the
National Gallery.
Gerard Terburg was born at Zwol, in 1608, and died in 1681. He visited
Germany and Italy in his youth. His small groups and single figures,
taken from the wealthier classes, with their luxurious surroundings, are
'given with exquisite delicacy and refinement.' Included in his
masterpieces are a 'Girl in white satin (a texture which he rendere
|